One of my goals for my workshops is to help the participants learn how to cope with the volume of images that they are making and to edit their images so that the group of photographs becomes their own. This podcast is a partial response to my friend Brooks Jensen using his podcast platform to ask who is teaching this important skill to today’s photographers. Of course, my workshops are about looking and seeing and being in the world as a photographer, but we also work with ideas about how to express who you are and what you think in a series or group of images.
In a world populated by billions and billions of images, with more being made every second, how do we find a path for ourselves as image makers? We look at the dilemma of quantity and quality in this episode.
Nurturing a set of “interesting visual friends” is one of the ways we can help create an environment of creativity around us. We can do that by networking both in the virtual space of today’s social networking tools and in the real world space of spending time with other photographers. This podcast episode talks about ways we can build networks of people who share our interests.
If you were stranded on a desert island, what one photograph would you bring along to sustain you visually? I’m soliciting Camera Position listeners’ “Desert Island Photographs” and asking them to send me the one photograph they think would keep them visually “fed.” Listen to the podcast to find out how to play along.
Eugene Atget’s “Lampshade Seller” (above) is one of Jeff’s Desert Island Photos
“Many times beauty begs to be recorded and it is only later that its position in the overall order of things becomes apparent.” So said podcast listener Bryant Johnson, a sentence that made me think about how we photograph and the ways that we can produce work just by looking and responding.
After our time talking about project planning, I thought this was a great way to segue into a discussion of beauty, photographic impulse and how this picture of a cloud taught me a few things.