All posts by Jeff Curto

Camera Position 83 : What’s On Your Desert Island?

If you were stranded on a desert island, what one photograph would you bring along to sustain you visually? I’m soliciting Camera Position listeners’ “Desert Island Photographs” and asking them to send me the one photograph they think would keep them visually “fed.” Listen to the podcast to find out how to play along.

Eugene Atget’s “Lampshade Seller” (above) is one of Jeff’s Desert Island Photos

Camera Position 82 : Beauty Begs to be Recorded

“Many times beauty begs to be recorded and it is only later that its position in the overall order of things becomes apparent.” So said podcast listener Bryant Johnson, a sentence that made me think about how we photograph and the ways that we can produce work just by looking and responding.

After our time talking about project planning, I thought this was a great way to segue into a discussion of beauty, photographic impulse and how this picture of a cloud taught me a few things.

Cloud Over Lake Superior
Cloud Over Lake Superior, 2009 - Photograph by Jeff Curto

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Camera Position 81 : Project Planning Roadmap – DAM!

In our final “Project Planning Roadmap” podcast, we talk about DAM – Digital Asset Management – trying to get a handle on what these software packages can do for you. Rating, sorting, grouping, keywording and adjusting your images is what applications like Apple Aperture and Adobe Lightroom are all about. If you’re using them, you know, but if not, it’s a really great way to get organized, stay organized and keep your project on track.

Apple ApertureDAMAdobe Lightroom

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DAM Links:

Apple Aperture Links:

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Jeff’s LensWork Folio – Evidence of Hands on Stone: The Italian Portfolio

Jeff Curto LensWork Special Edition Folio

Jeff’s Work Released as a LensWork Special Editions Folio

LensWork Folio
Jeff's "Evidence of Hands on Stone" Folio - Cover

In May of 2005, I was honored  to have LensWork magazine publish a selection of my images under the title Bella Luce. Now, I’m very excited to announce that I’ve been asked to participate in LensWork’s Folio series. The beautifully-produced Evidence of Hands on Stone” folio can be thought of  as a hybrid between an individual print and a book. It’s a collection of  10 unbound prints –  book-size rather than wall-size prints.

LensWork has produced a really beautiful package that I’m very proud of. These subjects of the photographs are the evidence of patient application of hands on stone, allowing extraordinary things to be created from ordinary materials. Over time, layers of the past and present combine to create something that will remain to be seen in the future.

This is a great way to own a beautiful package of my work at a lower cost than my limited-edition prints. Check it out here.

The 10-Image Folio